Christy Jordan-Fenton

Grandmother Moon Sheds as She Prepares for the Return of a Lost Dream. For Moniqa Smith murdered in 1992 on the eve of her first Christmas. by Christy Jordan-Fenton

Ruby Jung

“Into the Rainbow.” These are my first attempt at bead embroidery. I’ll be mailing them early next week, to honor the missing and murdered women, and hopefully to bring some comfort to the families and loved ones who grieve for them. by Ruby Jung

Holly John

by Holly John

Jude Johnston

These ones are about vitality, energy, richness, love, power, resilience and to sum up: strength. by Jude Johnston

Mary Jacobs

by Mary Jacobs

Holly John

by Holly John

Thelma Jackson

by Thelma Jackson

The Mohawk Women from Kahnawake

"For All Those who have Gone on to Their Next Journey". Starting from the pink moose hair tufted vamp going clockwise: Barbara Little-Bear, Chellie Goodleaf, Helen Cross, Glenda Deer, Carla Hemlock and Helen Cross (2nd piece). by The Mohawk Women from Kahnawake

Shirley Kelly

The stars are overlooking a fire..represents the loved ones lost but never forgotten. by Shirley Kelly

Andria Knowles-Muller

by Andria Knowles-Muller

Helen Knott

For Sandra Calahasen. I wanted to show that a loss from our community is a loss that runs deep. Each woman that goes missing or is murdered are women that are the heart and life of our communities. by Helen Knott

Erin Marie Konsmo

I have carried these around with me for months on my travels. Made with birch bark, hand painted and finished with sweetgrass. Honored to be a part of a grassroots art initiative that is bringing together hundreds/thousands of community members, families and raising awareness for missing and murdered Indigenous women, girls, and Two-Spirit people. Safe travels to all the vamps as they continue their journey to communities and best wishes for the work that they will do. by Erin Marie Konsmo

Keoma Kittykitty

Went with the lotus design because they're my favorite flowers. I believe all women deserve to walk in beauty. This is my second ever attempt at doing the eastern appliquè style beadwork, I'm usually a plains style lazy stitch kid of girl. This is my humble prayer for our missing sisters to come home safely, and for the surviving relatives of our murdered sisters to get justice and closure. by Keoma Kittykitty

Iris Kiewiet

Co Creation of my daughters Lily and Sylke, with some help. The hearts have arms and legs. They are a young woman's size. by Iris Kiewiet

Gwen King

These vamps tell the story of the mothers and their orphan children left behind. The mother has flowers. The children have the sun, a light and life force. The Mother carries a real eagle feather. The Sun picks up her prayers, love and care and radiates it down to her children, as a strong and bright life force. Designed to bring Sunshine and Love to all those children and family members who are still grieving. Amen by Gwen King

Jaime Koebel

Flowers made with dyed fish scales; I call these ones "The Goddess & The Girl." The left side represents the beautiful woman inside & out, complex, graceful & worthy of living, loving & being loved. The vamp on the right represents playfulness, cuteness & being dainty. Qualities of both many Indigenous women possess. It's a freedom piece that embraces the right to be feminine. For fun, I lined the edges with colourful pastel beads that remind of those sweet candy necklaces that I loved as a child & as a woman. May those who have gone on rest in the joy of being beautiful inside & out. by Jaime Koebel

Gloria Kwandibens

by Gloria Kwandibens

Kiera-Dawn Kolson

by Kiera-Dawn Kolson

Jaime Koebel

by Jaime Koebel

Jacci Kakaygeesic

by Jacci Kakaygeesic, Kerri Huff, and Cheryl Sylvestre Eckert

Crystal J T Kennedy

Family history speaks of the disappearance of Wabasca, AB cousins many years ago - and the loss of young women from Prince George and Ft St John BC in more recent years. I took the pockets from a worn pair of work jeans to remind of us how many of our lost sisters were just regular young women in jeans and a hoodie. Arthritic fingers limited the art to childlike drawings for the young, so I worked with that and used a crayon rainbow of colours. Women support and comfort each other in chevrons of hugs; Red opens her arms to the viewer. The backing has Owl center-most in soft night blue; inside, white wool padding cushions the work. by Crystal J T Kennedy

Leith Tanon Karhowane

by Leith Tanon Karhowane

Nikki Kelvin

The white daisy symbolizes innocence, purity, love. It can also be a symbol for death: because daisies represent innocence and purity, they were traditionally used to place on the graves of children. The word “daisy” comes from the Old English words “daes eage”, which translates as “day’s eye”. The flower was given this name because it opens when the sun comes up or “opens its eyes”. This also makes the daisy a symbol of new beginnings or rebirth. The daisy in my vamps, therefore, represent love for the women who have passed from us and hope for new beginnings. Because of the daisy’s association with the sun, I placed the flower in the middle of a sun. The sun’s rising and setting represents the life cycle. The sun’s strength also sustains life by providing light, warmth and comfort, and helping plants grow. The sun in my vamps is a beacon lighting the way for those who have passed from us, those who are still lost, and all of us here so we may all find our way – hope for new beginnings by Nikki Kelvin

Val Kaufman

These are titled "Forever In Our Hearts" a tribute to all those family members & friends who treasure their memories of our missing & murdered women in their hearts The second set of vamps are traditional Slavey embroidery learned from my aunt & mom. by Val Kaufman

Arlene Kinart

They Will Always Be in Our Hearts by Arlene Kinart

Sharon Kelly

by Sharon Kelly

Jaime Koebel

by Jaime Koebel

Merit Kawennihe

by Merit Kawennihe's Mother